59.95 Fender Tweed Amp Logos 49.95 Fender Amp Logo, Raised 60s. 24.95 Supro Amp Logo 39.95 The Soul Of Tone, Celebrating 60 Years. 29.95 Guitar and Amp Maintenance Book 14.95 Fender Electric Guitar History Book. I think it was 74 Fender dropped the tortoise and switched to a rusty brown color. I was VERY fortunate to find a mint condition faceplate for this beauty.A new grillcloth (Fender Blue Stripe), and nearly perfect tolex covering.fabulous. Fender Logos & Faceplates Logo For Supro Guitar 39.95 Fender Amps The First 50 Years, Teagle. Both had 2 vertical tortoise threads side by side, and silver sparkle thread throughout the cloth. These have been the first Fender inchtolex inch-amps after the Tweed-Periode of the 1950s. Top photo is the original, then it changed to the bottom style. Originally used from 1960 until 1963 on amps with cream or brown tolex covering as Fender Princeton, Tremolux, Deluxe, Super, Vibrolux, Vibroverb, Pro, Concert, Bandmaster, Bassman,Twin, Showman and the Reverb Unit (stand-alone). The on/off toggle switch was replaced due to wear. more The back faceplate has a good amount of wear from use. 1968 Fender Bandmaster Reverb TFL5005D Amp Head 1968 Fender Bassman Amp Head 1968 Fender Cabinet 1968 Fender Champ Amp Faceplate 1968 Fender Super Reverb. Not to many people realize there were 2 types in the beginning. FENDER BANDMASTER REVERB AMP HEAD TFL 5005D Silverface/Fender Cab w 2/12' original Jensens Speakers 1968 You will not find another Bandmaster Reverb head in such very good to mint condition. I personally like the first version the best and all my 67 and early 68 have it. Also the earliest Silverface amps from 67-mid 68 used a short lived grill cloth before it was changed over to the second version like on your 69 model in the video.
I would imagine it was left over stock that was used up till it was gone, same deal with the tube charts, Fender didn’t waste much. 'Fender Barrel' knob, cream white with brass inset and set-screw as used by: Fender 1960-1964 for the Fender Bassman, Showman and Bandmaster Amp, and for several Fender Custom Shop and Fender. The knob is inserted after the bushing is in place, and. I have seen it on numerous 68- 69 amps over the years. The tapered end of the bushing fits into the hole in the faceplate. This faceplate didn’t necessarily mean that the circuitry was blackface. Even though the Silverface faceplates with the vertical black lines showed up on the earliest of the Silverface models it continued to be used through 68- 69 on a few select models.
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